![]() ![]() Yes I will ask Jovino to cover the tune “All that’s left is to say goodbye” in an upcoming lesson or seminar. Also like to check out this live seminar which covers sus voicings: – in particular please see the chapter starting at 56 minutes entitled “Learn The 13Sus Voicings In All 12 Keys” and that will help you with your question. Try to find this voicing in different keys using the formula above. Right hand = minor 7th chord built from the 9th, which is a D-7 (D is the 9th of C) Left hand = root, 4, and 7 which is C-F-Bb (remember that sus is a form of dominant chord, so we have the b7 not the major7) Here is the same voicing formula for C13sus: In this key it is difficult to visualise. ![]() This is “root-4-7” in the left hand (the most basic sus chord) and then “a minor 7th chord built from the 9th” in the right hand, which in this case is a G#-7 chord. Regarding the notation question, please try to visualise this chord as shown in bar 53. I want to be able to rely on the simplest notation to get to the chords. I want to be able to rely on the simples notation to get to the chords.Īs I am trying to move from reading written notes to focusing on the chord symbols, I am always pushing my site reading so (although It is good for all of us to see the different ways a chord can be notated), it is still frustrating at this stage. would love to hear what you or he might do there – HELP! □Īs I am trying to move from reading written notes to focusing on the chord symbols, I am always pushing my site reading so (although It is good for all of us to see the different ways a chord can be notated). The transition from section A to section B just trips me up because I can’t figure out how to do a progression that works for me and my ear. I would love it if you or Jovino would do Jobim’s Is there a specific reason you choose to write the combinations the different ways? Is it like castor oil “just good for you” so swallow it and move on! Same chord but in the two different ways. I sort of know the answer but with jazz arrangements, I find it really slows me down when a chord such as my “new favorite” chord combo (I hope my written explanation is clear – not always sure.)į#13(sus4) -measure 27 gets written in the RH with the 2 flats (Ab,B,Eb,F#)į#13(sus4) – measure 53 – written in the RH with the 2 sharps (G#, B, D# F#) ![]() I have always loved this piece and was looking for the sheet music for a while and then “voila” found your gorgeous arrangement of it. ![]()
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